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OCHTERVELT, Jacob
Dutch Baroque Era Painter, 1634-1682
Dutch painter. According to Houbraken, he and Pieter de Hooch were fellow students of the Dutch Italianate Nicolaes Berchem in Haarlem, probably between 1646, when Berchem returned from Italy, and 1655, when Ochtervelt married Dirkje Meesters in the Dutch Reformed Church in Rotterdam. Ochtervelt's earliest known works reveal the influences of a number of Dutch Italianate painters. Landscapes with figures, such as Hunters and Shepherds in a Landscape (1652; Karl-Marx-Stadt, St?dt. Kstsamml.), owe much to Berchem in subject and composition. They may also have been partly inspired by similar landscapes by Jan Baptist Weenix and Ludolf de Jongh. Towards the mid-1650s Ochtervelt began painting garden scenes Related Paintings of OCHTERVELT, Jacob :. | A boat passing a lock | Girl and Guitar | A View from Villa Adriana, Tivoli | Two Undershot Watermills with Men Opening a Sluice | Der Lebensweg eines Wxstlings | Related Artists: Michiel SittowEstonian
1468-1525
Michiel Sittow Gallery friedrich nietzschePeriod: Romantic (1820-1869)
Country: Germany
Born: October 15, 1844 in Röcken
Died: August 25, 1900 in Weimar Jacob Huysmans1633-1696
Flemish
Jacob Huysmans Gallery
Jacob Huysmans (c.1633?C1696), was a Flemish portrait painter. He moved to England during the reign of Charles II where he became one of the fashionable painters of the court. His chief portraits are those of Izaak Walton and Catherine of Braganza, Charles II's wife (both displayed on the National Gallery, London).
He was a pupil of Gilles Backereel and Frans Wouters and came over to England from - presumably - Antwerp. His first works were pastiches of work from Anthony van Dyck. As a Roman Catholic he was favoured by Catharine of Braganza. When Samuel Pepys visited his workshop in Westminster on 26 August 1664, he described him as a 'picture-drawer ... which is said to exceed Lilly (Lely). Huysmans's most important portrait of Catharine of Braganza, Queen Catharine as a Shepherdess (c. 1664; Brit. Royal Col.), was one of the pictures Pepys saw on that occasion. Painting his subjects as sheperdesses with clothing embellished with embroidery and jewellery were typical of his style.
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All the Edouard Vuillard's Oil Paintings
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